Colour Futures
International
Colour Trends 2015
TM
ColourFutures
2015
Identifying emerging trends
Welcome to AkzoNobel’s ColourFutures 2015;
our 12th annual trend and colour forecasting
publication.
As the largest colour and coatings manufacturer
in the world, AkzoNobel ensures it is always one
step ahead of our customers’ needs by constantly
monitoring emerging social, economic and design
trends around the world and inviting a select panel
of independent design experts to forecast the
colour developments two years ahead of time.
able to provide vital information for our global
coatings market. So whether you are an architect
or interior designer, work within the colours and
coatings industry or are an informed customer,
our trend and colour forecasting is a vital part of
your business.
As part of our trend research AkzoNobel’s Global
Aesthetic Center invites a group of respected independent design and trend experts to discuss
emerging worldwide trends, resulting in the
Colo
urFutures workshop, where our senior inBecause our research and forecasting is always ternal colour experts develop the trend stories
rooted in the real world and informed by both the and colour palettes for CF15 that you see here.
design industry and consumer behaviour, we are
‘Everything you can imagine is real.’
Pablo Picasso
The largest paints and
coatings manufacturer
in the world+a select
panel of trend experts +
one overriding trend
+five stories about
finding the wonderful
in the normal +the
colour of the year+ 65
colours + a detachable
colour palette +
the magic in everyday.
contents
05 The driving influence
06 Colour of the year
10 New colour trends
12 Big
nature +
small me
24 Layer+ layer
36+Unseen
spaces
48 Him+her
60Friendly
barter+
72 Resources
73 Colour palette 2015
‘I used to dream about escaping my ordinary life, but my life was never ordinary.
I had simply failed to notice how extraordinary it was.’ Ransom Riggs
5
Finding the
wonderful
in the
normal
driving influence
for 2015
Every year, ColourFutures presents five colour
trends, inspired by one larger idea: the driving
influence that holds all of the trends together and
influences what our colour of the year will be.
environment as a whole, we are learning to
look at the world around us in new and unique
ways. We are finding new, subtle ways to add
colour to our lives, with a renewed emphasis on
developing a more caring, sharing environment
For 2015, the overriding mood is one of both for all. Sustainability is now a requirement rather
searching for and finding that extra which than a preference; and it needs to be backed up
makes the difference to our lives. After years by genuine commitment. It’s a reaction against
of pro-actively looking for, connecting and un- consumerism; a celebration of difference and the
locking our potential, 2015 is about that added wisdom to be found in unique, individual stories.
refinement: putting the + into the everyday. By It’s about f
inding the wonderful in the normal: the
exploring under-utilised spaces, as well as our magic in the everyday.
relationships both with each other and with our
6
COLOUR OF THE YEAR 2015
50YR 36/263
copper
orange
It really comes alive combined with flesh pink, clay toned neutrals, a tiny
touch of bright yellow, crisp whites, wood tones and of course copper.
As witnessed at global events from Stockholm and It reflects and complements all of the major trends
Milan to Shanghai, metallic colour tones are playing that we have identified for 2015: a warmth in attitude
an increasingly important role in modern design.
and a renewed emphasis on sharing; the natural
palette of the earth, from clay tones to sunlit highlights
Replacing the cool blues and greens of recent years, of yellow; the skin tones that reflect human interaction
a warmer spectrum of pinks, reds and oranges is and the sepia hues of the past.
emerging, reflecting a more positive global outlook.
As a paint translation of thi
s trend, our research It is a colour of depth and currency that combines
all points to this orangey copper tone. Great on its wonderfully with the everyday.
own, the colour also combines perfectly with pinks,
neutrals, whites and other orange hues, as well as
metallic colours such as gold.
mvrdv.nl
9
Our colour of the year for 2015
breathes warmth into interiors.
surprising
warm
beautiful
Five wonderful stories about normal things...
12
big
Nature
+ small
me
putting things
into perspective
Wrapped up in a modern world that is often rigid
and constraining, we long for a simpler way
that is natural, free and – crucially – offline. Nature
represents all that is unpredictable and untameable; it can be still and gentle or wild and
savage. Its increasing volatility is commanding
new respect and awe; and with this we see a
trend for individuals that want to pit themselves
against the elements to find out what they are
truly made of. This is a new definition of freedom,
where the
only possessions you need are a van and
a backpack (or, in the case of Tom Dixon’s Adidas
collection for Milan 2013, a single garment that can
double as your personal camping gear). Whether
it is training for an Ironman or hiking the Pacific
Crest Trail – which Cheryl Strayed vividly depicts
in her autobiography Wild – this is about finding
strength and clarity through physical hardship
and the dwarfing scale of nature.
ceilings and endless corridors, we search for a
sense of security through the human scale of
smaller environments, which shield and embrace
us. This trend mimics the beautiful flow of nature’s
colours and materials to create spaces that are
warming and comforting.
While we might not all want to challenge ourselves
to this degree, the idea of a more authentic and
mindful existence appeals to most, and is inspiring
a new minimalism, stripping away all that is unnecessary and purely cosmetic. Although we are
impressed by vast architectural spaces with high
The
big nature, small me colour palette captures
the sun-scorched feel of the Arizona desert; vast
and intimidating yet strikingly beautiful. Rich
earth tones of sepia, ochre, sienna and baked clay
create a tonal palette which is natural and strong,
much like the environment that inspires it.
14
Challenge
‘Believe in yourself and all that you are.
Know that there is something inside you
that is greater than any obstacle.’ Christian D. Larson
Jensen & Skodvin Architects
ADVENTURE
Wisdom
big
Nature
+ small
me
16
The colour palette captures the sun-scorched feel of the Arizona desert;
vast and intimidating yet strikingly beautiful.
big
Nature
+ small
me
80YR 46/243
80YR 76/086
10BB 55/065
20YY 38/225
20YY 40/608
70YR 27/404
30YR 16/162
20YY 32/494
60YR 30/094
10YR 50/101
70YR 09/086
big
Nature
+ small
me
big
Nature
+ small
me
The idea of a more authentic and mindful existence
is inspiring a new minimalism,
stripping away all that is unnecessary and purely c
osmetic.
21
22
Although we are impressed
by vast architectural spaces
with high ceilings and
endless corridors, we search
for a sense of security
through the human scale
of smaller environments.
big
Nature
+ small
me
25
Layer+layer
storytelling
through design
We live increasingly multi-dimensional lives, with
added depths revealing themselves the more
we look and explore ourselves and our environment.The digital landscape adds further layers to
the world around us,not simply in terms of space
but also time. For instance,Shawn Clover’sTime
Melts project is an example of the growing online trend for creating composite images that
combine the past with the present; blending
scenes of contemporary San Francisco street life
with images of the1906 earthquake.
In the product design world, we have seen pastel hues (all augmented by our colour of the
the Netherlands Droog Design explore layered year); while the use of fading, overlaying and
seating concepts, while Danish designer
Pernille opaque materials adds to the sense of depth.
Snedker Hansen’s Marbelous Wood – Refraction
employs the patterns of marbling and refracted
light to add new layer and depth to wooden flooring.
This trend is translated into the subtle use of
clusters or groups of colour, rather than a single
shade used in isolation.The combination of various
colours is key here, in predominantly soft and
‘Design is the fundamental
soul of a man-made creation
that ends up expressing itself
in successive outer layers’.
Steve Jobs
multi-layered
overlaid
patterned
Rob ‘t Hart
Layer+layer
28
The digital landscape adds further
layers to the world around us, not simply
in terms of space but also time.
brickettdavda.com
Layer+layer
90RR 76/062
60YY 55/504
70YY 55/299
45YY 66/512
50YR 36/263
04RB 71/092
40YY 67/087
10YY 68/110
10YR 50/101
30BG 64/072
50GY 83/040
10YY 83/071
70RR 41/065
Layer+layer
32
Layer+layer
This trend is translated into the subtle
use of cluster
s or groups of colour, rather
than a single shade used in isolation.
35
We live increasingly multi-dimensional
lives, with added depths revealing
themselves the more we look and explore
ourselves and our environment.
Layer+layer
37
+
The luxury of the
in-between
With space increasingly at a premium in our
modern lives, we are learning to value and make
use of previously neglected, unseen or unloved
areas of our environment. Turning the famous
William Morris quote inside out –‘have nothing
in your home that you do not know to be useful
or believe to be beautiful’– we are now looking
at the unuseful and the ugly from a new perspective. We are making a virtue out of negative space
and creating beauty and use where previously
there was none.
yards of Amsterdam’s canal district in their project
between-space, creating new areas to explore.
three-dimensional depth where there is none.
A very sophisticated collection of colours, this
palette takes three different directions
in hue; blue
Interior design is teaching us to maximize the grey, khaki and neutral pink. With four tones of
potential of under-utilised space: be it a mezza- each to choose from, plus white, different strengths
nine, a hallway or the corner under the stairs. of the same hue can be combined for a tonal effect
Similarly, decorative techniques can draw our or different hues across a single strength for a
attention to previously overlooked areas or more varied but harmonized look.
accessories, while the use of trompe l’oeil and
optical illusion can define new space by drawing
our eye to it.
This idea of ‘leftover’space is brilliantly explored This effect can be exaggerated through the
by the Non-Fiction Design Collective, who have subtle use of colour: for instance by using dark
breathed new life into the alleyways and court- and light shades together to give the illusion of
38
‘There is more in heaven and earth than is
dreamt of in your philosophy.’ William Shakespeare
NE
W LUXURY
UN-NOTICED
Re-interpretation
ar-arquitetos.com.br
‘The undiscovered is not far away. It is contained
within what is right in front of us.’ H.E. Davey
skandium.com
+
We are making a virtue out of negative
space and creating beauty and use where
previously there was none.
40
+
+
30BB 21/056
30BB 31/022
30BB 45/015
00NN 62/000
30RR 22/031
90RR 35/060
50YR 47/057
50YR 73/022
40YY 25/074
40YY 41/054
30YY 56/060
30GY 76/017
Decorative techniques can draw our attention to
previously overlooked areas or accessories.
45
+
Interior design is teaching us to maximiZe
the potential of under-utilised space.
48
him+her
Celebrating the beauty
of being different
As we seek and attain greater gender equality
both in the workplace and at home, so we are
learning to celebrate our uniqueness. Confident
in our own skin, there is a growing trend towards
celebrating the best of each sex; in the importance
of difference as well as equality.
Men and women are both f
lourishing in this exploration of the distinctiveness of their gender –
while also acknowledging how the masculine
and the feminine can complement each other.
After the trend for androgyny in fashion, men and
women are increasingly being encouraged to play
on the traditions of masculinity and femininity.
wear boots while they re-engage with traditional
crafts and skills. They no longer feel emasculated
in their domestic roles; the hunter-gatherer
impulse sees them challenging themselves
against the extremes of nature or catching their
own fish, smoking their own meat and making
craft beer.
In turn, women are revelling in a return to both
the feminine and the feminist (and seeing no
contradiction in combining the two). They no
longer feel they have to mimic male traits in
order to succeed in the office, because they
are no longer operating in a patriarchal world.
A soft, subtle, female influence often proves
Men are growing Ned Kelly beards and wearing equally effective and strong â
€“ if not more so – in
lumberjack shirts,all-weather clothing and work- comparison with the masculine approach.
In terms of colour palette, we see the traditional
feminine hues of damson,powder pink and cream
combined with masculine khaki, slate grey and
teal: but they also combine and complement
themselves wonderfully when used together.
The look here is classic,understated and very sure
of itself. Rich dark wood and confident furniture
or accessories make a statement with no compromise. Equally dynamic on a front door or
the walls of a bar, restaurant, or home, this is
the trend for people who are proud to be themselves – and want stylish surroundings to match.
Colour combinations here should be simple
and tone-on-tone, embracing the atmospheric
quality of a single colour or the perfect partnership
of similar shades.
50
equality
uniqueness
‘It is time for parents to
teach young people
early on that in diversity
there is beauty
and there is strength.’
Maya Angelou
balan
ce
him+her
Women are revelling in a return to both the feminine and the feminist (and seeing no contradiction in combining the two).
52
him+her
60YR 83/009
80YR 67/085
40YY 67/087
30BB 83/018
70RR 57/070
80YR 57/179
40YY 38/107
30BG 56/097
70RR 16/116
30YR 18/212
50YR 13/032
90BG 11/101
him+her
84RR 05/082
30BB 10/019
57
him+her
Men are returning to traditional masculine skills, catching their own fish, smoking their own meat and making craft beer.
58
him+her
61
Friendly
Barter
+
a new social economy
One of the most significant social trends of recent
years has been our rethinking and redefining of
the concept of ownership. Inspired by the increasing influence the digital world has over our lives
and the social media revolution, a new, collaborative economy of friendly barter has established
itself.
sharing and borrowing via a community of
likeminded individuals.
eclectic approach to problem solving is reflected
in the family of warm colour palettes for
2015
which are often used in unpredictable ways.
For instance, berry-toned pinks and reds add
softness when used in conjunction with lime and
orange, but can create an added richness to ochre,
rich brown and warm grey.
It is a system built almost entirely on trust; and the
understanding that we can help others while we
help ourselves. It is betterment through a simple
and cost-effective use of our existing networks,
with new and unexpected combinations helping
Websites such as Peerby, Airbnb, Car2go and the exchange of supply and demand.The‘greed is For both interiors and exteriors, large blocks of
TaskRabbit have extended the idea of connec- good’ mentality of crass consumerism is thus harmonizing colour can be utilized to surprising
tivity to the world of commerce. Eschewing big replaced by a sense of collective resourcefulness. effect: using colour combinations themselves
brands, consumers now seek out goods and
instead of patterns to add more power to the
services via a collab
orative model based on This same sense of new combinations and an overall design.
62
‘Consume
less;
share better.’
COLLABORATION
Hervé Kempf
COMMUNITY
mvrdv.nl
RESOURCEFULNESS
Friendly
Barter
+
65
New
combinations
and an eclectic approach
to problem solving is
reflected in the family of
warm colour palettes
for 2015 which are often
used in unpredictable
ways.
Friendly
Barter
+
90RR 16/386
90RR 69/101
00YY 21/321
68YR 28/701
30YR 21/505
60YY 39/654
80YR 13/325
20YY 51/306
20YY 45/114
90RR 27/440
00YY 23/557
10YY 72/021
50YR 22/052
00YY 83/034
Friendly
Barter
+
69
Eschewing big brands,
consumers now seek out
goods and services
via a collaborative model
based on sharing and
borrowing.
Friendly
Barter
+
Friendly
Barter
+
72
Resources
Here you will find an index of the pictures that have been used in this publication. For the online version, please go to www.colourfutures.com
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DB_00388_260614